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- <text id=90TT0636>
- <title>
- Mar. 12, 1990: Untrue Love
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Mar. 12, 1990 Soviet Disunion
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 75
- Untrue Love
- </hdr>
- <body>
- <qt> <l>HARRY AND CATHERINE: A LOVE STORY</l>
- <l>by Frederick Busch</l>
- <l>Knopf; 290 pages; $18.95</l>
- </qt>
- <p> Frederick Busch's characters are lonely, especially when
- they are with other people. Despite the title, love is in short
- supply in this tale of Catherine, her two adolescent sons, one
- lover and a dog living in cold upstate New York. The dog has the
- best relationships.
- </p>
- <p> The love story is supposed to begin when Harry, her former
- lover, reappears on Catherine's doorstep after twelve years.
- Harry is back because he has pined for Catherine intermittently,
- but also because he conveniently works for a Senator who wants
- to block a shopping mall that would disturb a black cemetery in
- Catherine's town. Catherine's live-in boyfriend, whom she ejects
- almost immediately, is a contractor who will profit from paving
- the parking lot.
- </p>
- <p> The subplot--the successful effort to save the cemetery--turns out to be more interesting than the central question of
- whether Harry and Catherine can find true love. They are like
- David and Maddie of Moonlighting--coming together, going
- apart, ever off balance--but without the humor or irony. Every
- single movement of the two characters is chronicled, like a
- time-motion study. When Catherine is done preparing a meal and
- cleaning it up, a recurring activity, the reader is left
- exhausted and with dishpan hands.
- </p>
- <p> What's missing is any sense that Catherine's oft-stated
- love for her sons is strong enough to put them before herself.
- Divorced from the boys' father, she takes up with Harry, then
- the parking-lot magnate, then Harry again, and her sons are
- understandably bewildered. When the younger one asks for some
- answers, she comforts him with "life is an amazing bitch." The
- real truth Busch misses is that adult love is a feather compared
- to the attachments children make. While Catherine's
- unwillingness to give reassurance to her sons when she has none
- to give is admirable for its honesty, Busch would have had a
- deeper love story if he had considered the notion of Catherine's
- waiting to welcome Harry into her life until she had some
- reassurances to give.
- </p>
- <p>By Margaret Carlson.
- </p>
-
- </body>
- </article>
- </text>
-
-